I grabbed a Posca pen to draw the view of my studio window from my desk. Quick, small, alive! Then filled in with acrylic & InkTense Blocks.

Rough, immediate and, dare I say, charming?

Affordable Art $ale
23Aug2025
Glengarry Pioneer Museum (GPM)
1645 County Rd. 30, Dunvegan 
10:00 – 14:00

(Re)discover the joy of collecting art. 

Original contemporary artworks, priced to appeal. Eleven artists on site (including me!)

You can help us clear space in our studios as we sell odd works from series, do some studio cleaning, etc.  

Add zing to your home or consider a gift for someone - Christmas is just four months away.

Coffee & cookies, conversations with artists, fresh air and art, art, art. Rain or shine in the Williams’ Pavilion beside the Schoolhouse, where the Collectif's Annual Show is also happening. Save at the Affordable Art $ale.

[Image thanks to Peggy, Marco & Pixabay.]

I’ve mentioned (too often?) the extended period of questioning process, topic, style. I’m now renaming this Mindfulness. Moving slower; thinking but trying to not over-intellectualize.

A result is this small, almost portrait. I focussed on letting go of control, working stroke to stroke and – hopefully – not overworking.

I’m happy with the sense of character and painterliness. We’ll see what comes next.

Three things I’d like to share with you.

One. The five-week Creativity Workshop (mentioned in the last blog) was a delight to lead. Eighteen folks moved out of their comfort zones, splashed colours around & came up with intriguing works. In the photo below, folks share their responses in fascinating diversity to a curious prompt at the last class.

Prompt: On large paper, with large brush, collage, pastels, pens, any colours arrange:
- 3 squares
- 2 rectangles
- 4 triangles, a variety
- 17 lines
- a wash in 3 layers
- wet on wet
- wet on dry.

Some pedagogical pointers: bringing home-baking to class. It helps people relax!

Two. Because these folks were so free, I freed up a little too in my studio. Here is a small, simple-seeming floral on layers and layers of painting that took months to finish.

Three. I heard a psychologist on the radio recently speak about successfully setting & meeting goals. Articulate and share. The sharing makes one accountable.

Okay.

I’m going to shift out of my painter’s block by creating a series of smaller works – I think colourful landscapes – as fearlessly as my creativity students. There, I’ve said it. And published it!

Watch this spot in coming months for colourful works or an interesting treatise on eating crow!

With spring comes the promise of colour.

I’ll be leading a five-week exploration of creativity in April. You can bet we’ll be pushing colour around. Also shapes, contrasts, composition. Prepping for the class has got my mojo humming, with three or four canvases on the go – whoo hoo!

Spring also opens the exhibition season. The BIG Show returns 11-12 April. Original works by more than 34 artists. Mix & mingle at the complimentary wine & cheese Friday and/or kick back with artists over coffee on Saturday. Mark your calendar NOW!

So many festivals of light. From Diwali to Hanukkah to Christmas, the festive season is upon us.

However you mark our northern switch to winter or the reverse in the southern hemisphere – wishing you creative times, grand conversations and good food shared with good people.

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Following years of (frustration &) abandoned festive images, I’ve finally finished an image for a new Christmas card, Cool Yule.

Just for fun, here are the previous cards.

Calm thinking and good health for 2025! Happy holidays.

On 14 September the tent will be up in Mill Square, Alexandria, ON packed with cakes, pies, bread, cookies & fresh coffee for the annual bake sale – rain or shine.  Goodies created by our artists – see you there!

This year 27 local artists exhibit 57 works in the Big Beaver Schoolhouse of the Glengarry Pioneer Museum. The vernissage occurs Saturday 27 July from 11:00-13:00. All are welcome to meet the artists, view the works & have refreshments. (Coincides with an art activity by the museum.)

What     Experience a variety of artists, styles, media & topics with one commonality—visual arts. Works run from traditional to eclectic—a bonus during your museum visit. Feed your soul &, maybe, bring home something to enhance your environment.

Why?    Art connects people through expressions of imagination &/or technical skill. It’s a way of interpreting & sharing the world & generating emotions.

Where & When

The Glengarry Pioneer Museum
1645 County Road 30
Dunvegan, ON   K0C 1J0

Phone: (613) 527-5230
E-Mail: info@glengarrypioneermuseum.ca

During Museum hours, 10:00 –17:00, closed Mondays

The little art group that can is putting on its second juried show. Intrigued to see the submissions. Fingers crossed that my submissions meet with approval!

Why an art exhibition with a jury? It’s a challenge to work at a higher level because we’re competing. Being chosen is a plus for the artistic CV. It’s a chance for recognition and this intrigues viewers. Dang, it’s just fun! A juried show can also be an emotional rollercoaster. Jurors’ choices are subjective – works that fail in one show may win in another! Artists need to develop thick skin!

Our two jurors will each select one Juror’s Choice, then they must agree on Best in Show. They’ll be judging out of 10:

• 3 points for technical mastery 
• 3 points for composition
• 4 points for creativity/originality

I’m generally an “editor”: putting down paint, observing, changing, wiping out &/or adding on. Paintings can take weeks, months — even years to finish! But last fall I challenged myself to do a work Alla prima. That’s an Italian term for a painting with one layer of pigment instead of multiple, finished in one sitting. At once!

I had the image in mind, chose the colours and went at her! It was frightening, exhilarating and . . . effective! I didn’t have time to worry about the believability of the cows or how the light hit the fields.

This turned out to be quite liberating too. Colour mixing decisions were made on the fly and intentionally simple. Once the paint was down I moved on to the next section. Phew!

I was delighted with the results, enjoying the colour juxtapositions and the subtlety of the bovines. They kinda sneak up on the viewer.

Like artist friend, Lynne Ayers, I’m trying exercises to move me from comfortable into different & challenging. This first exercise worked out well, I think. Despite being a more traditional landscape, the colours & flow are arresting.